Or, if you want to accentuate the ambience, turn the send higher or use a longer decay time. You may want to use the reverb's EQ controls or a high-pass filter placed after the reverb to cut some of the low end out on the effects return, as well.Ĭreating a room sound by sending all the tracks to a reverb on an aux return.īy subtly bringing the aux track in, you can give the mix more depth without it sounding like a large room. You can also cheat and lower the sends somewhat of sources like bass and kick drum that are low-end heavy to avoid creating muddiness. Bring up the level of the aux return to taste during the mix.īy putting the reverb on all or most of the tracks, you’re placing the band in a space, albeit a virtual one.Send all or most of the tracks to it using the aux sends on the individual channels and sub busses.It could be a convolution reverb with an IR of an actual recording studio or just a great sounding plate or chamber. Create an aux channel and put your best room-sound reverb on it.Sure, it won't be quite on the same level, but it can still be a very effective way make a collection of tracks recorded mainly via overdub sound more cohesive and more “live.” You'd need access to a large studio with excellent sound, big, good-sounding speakers and excellent mics to record them with-not to mention Vance's vast experience and studio smarts.įortunately, there are ways to create a room sound from scratch from within your DAW. Getting a room sound as good as Vance did in the video would be challenging. Vance used a clever technique to augment the room sound in RCA Studio A. He also wanted their sound to get picked up a little in the mics for the vocal, acoustic guitar and bass amp that were set up in the main room. He wanted the sound of those instruments to be audible in the cacophonous live room. When setting up the original tracking session, Vance purposely opened the doors to the iso rooms where the drums and guitar amp were situated. He re-recorded it through the mics to create separate a stereo room-sound track. He took a mix of the song after the band recorded it and played it through large speakers in Studio A, which he’d mic’ed up. But Vance wanted even more room sound, so he manufactured some. The band recorded live in the studio at Studio A at RCA studios in Nashville, which imbued the tracks with a nice natural ambience. In the excerpt for "Vance Powell Mixing "Tennessee Whiskey" By Chris Stapleton," Vance explains how he created the exquisite room sound in that song.
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